Posts Tagged Getz lab

Dramatic Interpretations

Who: Dian Fox, Professor of Hispanic Studies and Women’s and Gender Studies
LTS Liaisons: Mark Dellelo, Darwin Scott and Lisa Zeidenberg
Course: USEM 36B: Drama and Social Issues, Fall 2008

Summary

In this first-year seminar, students were introduced to plays by Sophocles, Aristophanes, Pedro Calderón de la Barca, Susan Glaspell, and Ariel Dorfman.  They were asked not only to research and write about the texts but also to study performances of several of them.  For one assignment, they were divided into groups and required to produce a short video of a scene from a work that they had not seen in performance.  Professor Fox wanted to give their imaginations free reign to dramatize a text they had studied.

Intended Learning Outcomes

One of Professor Fox’s goals was to help her students understand that there are as many different ways of looking at masterpieces of the stage as there are people to perform them.  She was gratified to find that each group had a unique way of interpreting the scene they selected for their video, and that they were able to speak confidently about the specific choices they made to bring it to life.

She also wanted to give her students, all of whom were in their first semester at Brandeis, an opportunity to work on a long-term project as part of a supportive group.  The pleasure that they all showed in presenting their work, and that they all took from watching each other perform, provided ample evidence that they had come to feel comfortable with each other.

Reflections and Lessons Learned

We held an instruction session for Professor Fox’s class that had two goals.  Darwin Scott and Lisa Zeidenberg presented a lesson on how to distinguish between a scholarly article about a play and a review of a performance, and where to look for both of them.  Mark Dellelo provided instruction on best practices for shooting and editing a video of a performance.

Professor Fox now feels that it may make more sense to have two sessions in the future—one still focused on research but at a slower pace, as the students had difficulty following it.  And she feels that the session on videography, which the students all found helpful, might be more effective if it were taught closer to the start of their video project.

The students were all extremely positive about the help they received in the library from the staff of the Getz Multimedia Lab, which they depended on heavily in preparing their videos.

Contributors: Dian Fox, Mark Dellelo
Last Updated: 01/15/2009

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Digital and Multimedia Journalism

Who: Professor Alison Bass, Adjunct Professor of Journalism
LTS Liaisons: Sarah Walkowiak and Mark Dellelo
Course: JOUR 109B Digital and Multimedia Journalism, Fall 2008

Overview

Students in Alison Bass’ Digital and Multimedia Journalism course explore how the practice of journalism is shaped by new media and the ever-changing landscape of information technologies. They learn how to use different media platforms to tell stories through writing assignments as well as creating blogs, podcasts and slide shows. Students in this course also examine the political, sociological, legal and ethical issues raised by the Internet and explore how new media technologies are reshaping our culture.

As part of their coursework, each student creates a blog, addressing the question of whether or not blogs constitute original journalism. Other assignments include learning how to fact-check via the Internet, tap into the vast government databases available online, interview a person who has been in the news and write a profile of that person, recording the interviews on digital audio recorders. The students are also assigned to cover a news event, take pictures and then write a news story about the event. Their final assignment is to either edit and post podcasts of their interviews or put together an online slide show of the news events they covered, using digital audio and podcasting tools. The students are also given a taste of basic HTML and introduced to Dreamweaver software.

LTS Staff Sarah Walkowiak, Mark Dellelo and the staff of the Getz multimedia lab supported student use of digital audio software and hardware tools. Additional information resources, office hours and help were provided as needed.

From Alison’s Perspective

Many of the students in this course said they enjoyed the multi-media exercises as well as the training in how to write news stories and profiles. Several students in the course are continuing to post blogs on a regular basis. A number are also experimenting with Twitter and other new media technologies to cover stories and communicate with other journalists.

With the help of the LTS lab, most of the students had no trouble picking up the technology tools they needed to write a blog, or make a podcast and/or slideshow for Web. They are naturals when it comes to new media technologies. Where the students needed the most guidance was in learning how to write a news story and a feature profile. For future courses, I will be requiring first drafts and rewrites of all written assignments in an effort to help them master the craft of news and feature writing.

Contributors: Alison Bass, Sarah Walkowiak
Last Updated: 01/15/2009

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Constructing a Film Narrative

Who: Marc Weinberg, Adjunct Assistant Professor of English and American Literature, and Film Studies
LTS Liaison: Mark Dellelo
Course: FILM 110A: Film Production I, Fall 2008

Summary

This fall, fifteen students enrolled in a new elective course offered by the Film Studies Program. They were organized into groups of three, and each of these five groups was asked to collaborate on the production of three short movies over the course of the semester. All groups were presented with the same set of guidelines: each was given the same script for their first movie, asked to write a script without dialogue for their second movie, and required to write a dialogue-driven narrative for their third. Along the way they traded roles in the various phases of the moviemaking process—preproduction, production, and postproduction—as they learned the ins and outs of dramatic structure, preparing story and production boards, working with actors, using production equipment, and editing digital video. Balancing instruction on how to conceive a movie narrative with instruction on mastering motion picture technologies was a challenge that Marc Weinberg and Mark Dellelo relished in their work with these students.

Professor Marc Weinberg on the Learning Outcomes

“I was impressed by our students’ growth and commitment. Based on my experience teaching other production courses, I find that participants don’t anticipate the difficulty of the process – or that there are intangibles to be considered beyond the basic mechanics of filmmaking. Coordinating schedules, securing locations, and ensuring that actors and crew work cohesively are the elements often overlooked. What do you do if a cast member doesn’t show, or a key light doesn’t work? These are the challenges we address during the course. By the end of the semester, students are able to manage their own work and that of their crew, which allows them to focus on their art. By the time they screened their third films, the students’ work showed maturity and skills far beyond their relative inexperience. Through dedication and passion, they demonstrated the strongest possible commitment to their desire to become filmmakers.”

Student Perspectives

“This class gave me a new perspective on what it takes to make a no-budget film, and I feel like I learned a lot of it from experience—the assignments forced me to rapidly apply the knowledge I received in class, and that was really motivating. The load wasn’t light and there was some pressure, but it gave me the kind of structure that I need to be creative. Sometimes my passions take a backseat to my papers and homework, so I was glad that this class forced me to invest time in doing something that I enjoy.”

- Illona Yuhaev, sophomore, Film Studies minor

“My Film Studies minor at Brandeis had given me a theoretical knowledge that is vital to my understanding of the movie medium—but this only goes so far. It was not until this class that I was able to appreciate how hard it is to be behind a camera. Once you have an oh-that’s-how-they-did-it moment, the theory really begins to make sense. After taking this class, I realize that I am only at the very beginning of my life-long study of film, but I now have the tools to continue.”
- Adam Barish, senior, Film Studies minor and history major

Contributors: Marc Weinberg, Mark Dellelo
Last Updated: 01/15/2009

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